The sensation of living "between", of inhabiting a space between two simultaneous opposites and of existing between objective and subjective intervals, is at the heart of my work together with the theme of gender-based violence, the woman who finds herself in the interval between before and after trauma. Inside and outside, body and soul, matter and energy, presence and absence, figure and non-figure, coexist in tension in a utopian, hermaphrodite,1
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