The work, with Cubist reminiscences, evokes the drawing of a map or a landscape seen from above, when the plane is about to land. A countryside and scattered houses, around the airport, roads, still abstract when seen from the sky and whose contours become clearer as the plane descends.
This is only the a posteriori vision of the artist, who places himself as a spectator once the work is finished. This interpretation is neither intended to be unique1