The starting point of this series is a study of graphic design in very bold pencil 6B. By rubbing, the designer obtains a dense texture which is accompanied by other patterns, textures, graphics. Colored pencil lines include fields, spaces, etc.

Structures have always attracted me; their representation in white makes them stand out against the background and energizes the composition, contrasting with the flexible colored shapes. Despite the absence of perspective, we can distinguish an imaginary landscape with abstract masses similar to clouds. The filigree white structures signal the human trace. By its opacity, gouache accentuates the volumes and gives them body, which pastel or watercolor could not have done, which I practice more spontaneously. Gouache shakes up my habits as an artist and that's good!

Originally, there is an automatic drawing with colored pencils: a kind of cloud that the artist called "nebula" because it combines a multitude of graphics and textures. He then developed this theme by adding elements such as a ladder, the outline of a boat… Over the inspiration, different formations are born: a mountain, a ship, a tripod, etc. The presence of patterns gives support to the gaze, anchors it and structures the surface. The works of Mexican artist Gabriel Orozco have inspired the artist in this regard. He uses these patterns as so many landmarks in his “aquatic” compositions – the automatic drawing that he willingly practices easily leads to a certain disorientation.

this is a series of gouaches on a uniform background (gesso + colored acrylic). the composition is first sketched in pencil, then are added solid colors and graphics that develop automatically.

The artist was inspired by a gray paper (250 gsm) of A3 size to make his white chalk drawing stand out. He also played with different techniques such as stencil, the spread of white powder, the collage of tracing paper or black charcoal powder. The result is a series of expressive and contrasting free drawings around different themes: the habitat, the body, biological figures or even imaginary landscapes, without forgetting a kind of flowery bathtub or monstrous animals.

in this series of works, the artist experiments with forms and structures in a stripped-down environment. lines, flat areas, frames, dotted lines compete for the surface. the white background is almost omnipresent, with the exception of a few drawings on a gray background.

the artist produced this series during a stay in Hamburg. he tries his hand at figuration, especially of animals, and experiments with the creation of scenes, in the manner of Francis Bacon to sit his figures.

these are my large format drawings

acrylic paints 50x65 cm on paper or prepared paper