““Truismes” takes up the fantastic theme of Marie Darrieussecq’s novel, a woman transformed into a sow which is not without echo with “Les petits pigs 2019”.

The shadowy mouth is drowned in a 17th century engraving. The superposition of faces creates these hybrid beings with a terrified look.

The portrait looks like a tear. This painting is strikingly accurate and has a rare elevation. This mixture of infinite softness of touch and cruelty of1