Stefano Lorenzo Cavané

Painter | Italy

« Creating is the simplest and most natural way to connect to the Whole, which is simply continuous creation. »

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As a child I built my toys with the most disparate materials, then I studied art and graphics, music, vibration and then design (and toy design!). All this is conveyed in my works, in a continuous work of aesthetic synthesis. I always love experimenting with new materials (wood, stucco, fabric, plastic materials, etc.) and often blending art and design, even in the pictorial field. I prefer metallic colors, because in their intrinsic inscrutability, they leave room for the unpredictable. At the same time they create an experiential exchange that changes throughout the day, and sometimes even during the creation of the work itself. I like to mix rationality and rigor with the unpredictability, or rather, the subjectivity of the point of view. I believe in creativity but also in the technical gesture.

All artworks by Stefano Lorenzo Cavané

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MWserie

The series consists of small cosmic scenarios of distant or imaginary worlds. Inside is a little astronaut. They are small corners of the universe in which to get lost and find yourself. Why MW? MW stands for “moon walker” or “mini world”. The M and the W are also two signs opposite each other, as well as the Micro and the Macro, which merge into the Whole. Copies prepared and painted one by one, signed and numbered in synthetic plaster, metal miniature from the original in two-component stucco.

page.alt — Acrylic, Spray paint on Synthetic board - 17x12cm

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INTROspace

The series focuses on the relationship between the infinitely small – which is man in the presence of the Universe – and the infinitely large and on the relationship between attention, focus and empathy. The subjects of the works are miniatures - specially made by hand - that need to be identified, and in doing so the viewer comes into contact with the work by shifting the point of view and changing the level of attention. The themes touch on the exploration of distant worlds (real or inner), loneliness, environmental problems in a background straddling the real and the imaginary, in which the component of the game, of the collectible object, is opposed to the research of something more.

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TY

The TY series consists of small paintings (15 x 10cm) made with metallic acrylic paints. They are inspired by reflections on life, existence, quantum physics and the universe, but also by everyday life, synthesizing with essential, almost archetypal forms.

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Oggetti Spaziali

A series of works that reflect on the mystery that the material encloses. Reflections on quantum mechanics and the birth of the universe, in a dualism between spirituality and mechanism, perhaps now outdated towards something that still remains mysterious.

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Nebulae

I looked for a way to represent the meeting of gases and their interaction by translating them into matter, simultaneously bringing everything back to a more concrete dimension. The manufacturing process involves an empathic interaction with the fabric. Touch is predominant and guides the search for form. The fabric then comes to life, now trying to conquer space, now to retract and writhe on itself, like interstellar gases that collapse due to the gravity of the stars.

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Moonbox

Portions of mysterious worlds set inside a box that contains infinite space. They are an invitation to change your point of view and let yourself be drawn towards the mystery.

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Aicons

The title suggests a connection between Artificial Intelligence and timeless icons: from sacred images of ancient art to selfies that wander the ether through countless social media. I was inspired by archaeological finds (including the mosaics in Piazza Armerina visited in August 2020). The figures appear like timeless fossils: a series of complex gears in which past, present and future blend together. Is what we are witnessing evolution or flattening? Is what appears to us only aesthetic or is it the human figure that we relate to, with its complexity and its feelings?

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