Elías Pinto Casanova

Allegory of fertility, seduction and courtship, inspired by the rituals of nature. In this case I chose a sexual euphemism through the pollinated flower. In the series, the flower: a female character, emerges at the call of spring and progressively unfolds its petals represented in the geometry that crowns and frames it, since scene by scene its complexity increases according to the posture of the model that is is releasing Hummingbirds debut before the flower and in the evolution of the series we see how they decrease until the flower chooses its favorite. Borrows the iconography of "The Annunciation" and the pre-Hispanic style

The triptych seeks to function as a gloomy trinity of power, it makes use of sacred iconography with the halos and the persignation of the lateral figures while the magicians in the center build an imaginary structure as a bridge between the abyss. The figures of Hunger and Death represent the ductile capacity to transform such attributes into symbolic elements of domination as a psychological capital that the discourse of factual power in turn will shape according to its interests, since throughout history they remain unchanged while for Outside they are transformed, hunger currently being the representative of artificial scarcity, disguised enjoyment in the consumer society, death resignifying itself as a way of expiation, an element of sacrifice or an evil entity to be disguised, and magic as the illusory fabric of the ideology of the can