As a theater man, I treat the elements of the painting as if they were dancers and I was their choreographer. As for the public, the image of the show varies in his eyes according to his angle of view, which taught me to always leave room for the spectator to weave his imaginary story around the elements he sees inside the painting. . Their stories have always enriched my imagination and drawn my attention to the secrets of my own paintings. The painting is a living organism that changes and coexists in a different way from one eye to another.